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The Storytellers

Julie Buffaloe-Yoder

They tell stories they learned

in school, take off their shoes,

black out a tooth, put on

straw hats to look cute.

.

They hold their hands

the way the teacher

told them to

.

talk about possums

and articulate with

just enough

dramatic accent

.

to make the crowd

in the auditorium go

hee hee and a haw haw.

.

Then they get in SUV’s

and drive back to

gated communities.

.

Old Mr. Orrie tells stories

at the Fish House for hours

on a black dock that rocks

when waves lap against it

.

under a full moon that burns

a gold hole through heaven.

.

He carves a loon decoy

while he talks, sun hard arms

a criss cross of white scars.

.

Curls of wood fall

soft in the rhythm.

Feathers appear

with a whisper

of his hands.

.

When the spirit moves him,

Mr. Orrie picks up his guitar

and sings Lonesome Wind

for a while, then tells us

.

about that spring in ’48 when

a gale came down from the north.

It rained blue crabs for three days.

.

That was the first time

Mr. Orrie learned how

to catch a headwind and

make his shrimp boat fly.

.

Beside the neverending tale

of live oaks and salty roots

.

he didn’t once

talk about

possum stew

.

and he didn’t

go to school

or charge us

a rusty penny.

.

.

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Two of my poems, Lessons in Genetics and They Called Him Cap’n Glass, are published at The Dead Mule School of Southern Literature.  You can see the poems by clicking HERE.

I love The Mule!   Stick around and read it all.

Cap’n Glass is based on a real person who was a colorful soul.

In Genetics, Lesson #4 is dedicated to my daughter.  It’s one of the things I always tell her about family.  My tongue is firmly implanted in my cheek, of course.

Thanks for reading!

.

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The Devil’s Tramping Ground

.

The devil walks

in a circle

hoof footed

in the thick black

Carolina woods.

.

Around, around

sizzle pop ground.

Nothing will grow

where he treads.

.

Not one weed.

Leaves won’t

fall in his wake.

.

Dare to put

a penny in

his circle;

it disappears

by morning.

.

He snorts,

leans forward

head down

hands clasped

behind his back

.

thinking of

new ways

to burn me.

.

Maybe I will

never find a job

or pay the rent.

.

My car might

not start again

and if it does

surely I will

lose control

down slick

mountains.

.

At his beck and call,

furry things crawl

down my dark hall.

A man with an axe

breathes by my bed.

.

Some silent something

swells in my cells.

Somewhere a finger

hovers above

the button.

.

Damn this devil

who stomps

round and round

.

leaves a zero

in my gray space,

poems unwritten

work undone.

.

He laughs

when the sun

comes up and

it all swirls,

turns to smoke,

dissolves.

Julie Buffaloe-Yoder

.

The Devil’s Tramping Ground is a real place that’s only about an hour-and-a half drive from where I live now.  Supposedly, there is a circle in the woods where nothing will grow, not even weeds..

My grandfather was a master storyteller, and I heard many stories about the Trampin’ Ground from him..

He made up his own versions, including one of my particular favorites that involved a wrestling match with the devil..

I’m not saying there’s anything “to it” or not, because I don’t know.  I just love the stories..They’re part of the language and rich cultural heritage of North Carolina.

According to Wikipedia, the Southern Supreme Fruitcake Factory is located near the Devil’s Tramping Ground.  I almost busted a gut over that one.  Dang, I love my state.  There are poems everywhere you turn.

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